Presented in partnership with Glass Alliance-New Mexico, Glass 505: Blowing Glass in the Land of Enchantment offers an intimate look into the life, work, and artistic evolution of Spooner Marcus (Ohkay Owingeh Pueblo), one of the Southwest's leading Indigenous glass artists.
For Marcus, artistic inspiration begins with family, community, and a deep connection to place. Through archival photographs and family history, he shares stories of growing up in Ohkay Owingeh Pueblo and reflects on the lasting influence of his great-grandmother Regina Nakai Alvarado. These early experiences reveal how creativity, cultural knowledge, and artistic expression have been passed through generations, forming the foundation of his artistic practice.
Marcus also reflects on the growth of contemporary glass in New Mexico and his role within a generation of artists helping to expand the medium's possibilities. Sharing experiences from Glass Improvement, Taos Glass Arts, and Prairie Dog Glass, he offers a firsthand perspective on the people, partnerships, and creative environments that contributed to the development of Indigenous studio glass in the Southwest.
Additionally the lecture offers listeners insight into the processes behind his work, discussing the materials, experimentation, and techniques that have become central to his practice. From sandblasting and surface treatments to the use of color and mica, Marcus demonstrates how contemporary glass can serve as a powerful vehicle for Indigenous expression while continually pushing the boundaries of the medium.
Equally important is his enduring curiosity about the natural world. Drawing connections between art, archaeology, botany, and ecology, Marcus explores how plants, landscapes, and environmental stewardship have become increasingly significant sources of inspiration. These observations reveal a body of work grounded not only in technical mastery but also in a profound relationship with the land.
Rich with personal stories, historical photographs, and images of his artwork, Glass 505 gives a compelling portrait of an artist whose work bridges tradition and innovation, honoring cultural knowledge while advancing the possibilities of Indigenous studio glass.
